SLOW-OUT AND SLOW-IN

When we have some action we have extra drawings close to the starting pose, one or two in the centre, and other drawings close to the next pose. Less drawing makes the action quicker and more drawings make the action slower. Slow-ins and slow-outs makes the action more softer, making it more life-like. For a gag act we might skip some slow out or slow-ins for shock appeal or the surprise element. This will give more snap to the sight.